According to author Cottino-Jones, Catholic and patriarchal ideologies .

1.to praise femininity by casting women in roles that present them as beautiful yet strong, intelligent and fierce characters capable of leading Italian society towards a better future. 2.to cast only men.3.to construct female characters according to Norse mythology. 4.to construct female characters according to Catholic and patriarchal ideologies.3.According to author Cottino-Jones, Catholic and patriarchal ideologies ___________________ .1.virginity and sexual control, together with submissiveness and passivity, are the essential qualifications of “good,” traditional femininity.2.sexual promiscuity is the essential qualification of “good,” traditional femininity.3.non-conformity, defiance and free will are the essential qualifications of “good” femininity.4.women should not act in films.4.Even if some classic Italian films appear to put women in positions of power, these positions are usually confined to the home environment. In this sense women, in many Italian films, are ________________ .1.complicit in male authoritarianism. 2.defying Catholic ideology.3.questioning patriarchal authority.4.reinforcing Marxist ideology. 5.From the introduction to the volume Queer Italia: Same-Sex Desire in Italian Literature and Film we learn that _______ .1.homosexuality was a common theme in erotic poetry of Renaissance Italy.2.homosexuality was a theme carefully avoided by Italian writers up to recent years.3.homosexuality was a theme common in European literature but not in Italy.4.homosexuality probably became a popular theme in Italian literature only after the unification of the country.