Can you detect the relevant passage?

If you listen to music and watch videos from popular culture today, the language of rebellion seems to be everywhere. Whether it involves powerful denunciations of the establishments or calls for individual autonomous self-expression, the music and entertainment industry has made a fortune out of marketing a spirit of rebellion and revolution to the nation’s youth. Too often, the irony of a mass-marketed message of resistance goes unnoticed: What would Che Guevara have thought of his counterfeit on T-shirts and Walmart racks? How did the ’90s rock band Rage Against the Machine deal with the fact that it had to perform its angry protest songs at the MTV music awards to a cadre of record-label executives and millionaire producers?The cooptation of youth culture as rebellion goes back much further, of course. At the very time that young Americans in the 1960s discovered their own soundtrack to civil disobedience and antiwar protests, record labels perfected their business strategy for the counterculture. Gil Scott-Heron’s 1971 song “The Revolution Will Not Be Televised,” from Pieces of a Man, is a rich source on the 1960s, with its clear rejection of commercial culture, its critique of the moderation of the civil rights movement, and its dismissal of the apolitical counterculture. But the artist’s work and influence on rap and hip-hop also allow for connections to the 1980s and contemporary black music.”The Revolution Will Not Be Televised”https://www.youtube.com/watch?v=QnJFhuOWgXg (Links to an external site.)A. Essay Activities:1. What part of American popular culture did Scott-Heron draw from for most in his lyrics? What critique of American society did he try to convey that way?2. Scott-Heron not only seemed to mock contemporary consumer culture with his lyrics, he picked on the 1960s counterculture and the women’s movement. Can you detect the relevant passage?3. When you listen to the music, what different styles can you detect? Where in the ’60s and ’70s, for example, would you have heard a flute in popular music? What about the rhythm? What about Scott-Heron’s own performance? Does this resemble more modern popular music styles?4. Look up Roy Wilkins and Whitney Young online. What did Scott-Heron seem to think of these men?5. What did Scott-Heron mean when he predicted that the revolution would not be televised? Consider the role television had played for the movements of the 1960s.