Describe Harlem Renaissance.

After reading Barbara Glass’ “Introduction to When the Spirit Moves: The Africanization of American Movement (in Module #4, Focus: Dance), watch “Revelations” on (Echo 360, Lecture #12, “Revelations filtered through Gramsci”) choreographed in 1960 by Alvin Ailey then explain the use of the African-Derived dance characteristics in each section of the Ailey’s ballet (there are three sections shown below with 3-4 dances in each section). A further explanation of symbolism using music as portrayed in social conditions as reflected through Du Bois’ concept of “transformation vs. transfiguration” should be considered to enhance your overall analysis. Chapter 14 of Souls of Black Folk provides the theoretical background.Guidelines Reflection and analysis of each of the 8 African-Derived movementsSymbolism, especially the choice of music (Chose one dance and described the symbols as explained by Glass and used by Ailey in the dance). Social Conditions using Gramsci’s theory as the source Discuss ‘bottom-up” filtered through Gramsci’s social theory and its relationship to the choreography of “Revelations.”Discuss “Transformation vs. transfiguration” as an identity formation using the dance as the focus Discussed “Transformation vs. transfiguration” as an identity formation using the dance as the focus.