How does Brenner’s understanding of Roland Barthes and semiology clarify this point?

Select one cosmic myth, one myth of the gods (figures), one hero myth (figures), one place myth, or one object myth, and discuss one example of its representation in the visual arts. Beyond this initial connection, discuss Art Brenner’s analysis of the language of art in “The Structuralism of Claude Lévi-Strauss and the Visual Arts” and how it applies to the selected myth and imagery. If the myth individually and its visual counterpart communicate via specific languages, how, if at all, do these languages complement one another? How does Brenner’s understanding of Roland Barthes and semiology clarify this point? Explain.Book link: https://play.google.com/books/reader?id=Ck5pAgAAQBAJ&hl=en&pg=GBS.PA24